The Melody of a Painting

We proudly present our new artist, Terry Nilsson-Love! The English born artist is known for his bright coloured paintings and prints, and has for years applied rules of improvised music into the creation of his art. As a result, his works over the last few years has moved from geometrical structured compositions into a more free direction.

What has continually occupied Nilsson-Love has been the search for a balance between order and chaos and how far to move in either of these directions. Perhaps this is a natural problem shared with many other painters as part of the process experienced whilst moving towards the “finished” work, he argues.

“The question as to when a painting is finished is a difficult one to answer – the “final” brushstroke before signing the work is a myth perpetuated in novels. Perhaps a painting is finished when one simply stops in order to move on. Inevitably the next painting will be a continuation of the last, and therefore all paintings must represent a documentation of an ongoing process; so what is a finished and what is underway?

I do not want to start and finish and then to start again, so I work on several paintings at the same time. The dialogue takes place not only between myself and a painting, but takes place also between one painting and another or between several works.

Sometimes one feels like the circus performer whose act involves keeping several plates spinning on a row of poles, i.e. which one requires attention next?

I rarely start with an idea as to how the painting should be – if I do, it never works, and any preconceived idea has to be abandoned or destroyed; at this point the painting starts to gain its own identity. Destruction is an important part of the process as is the accidental, though ironically one may ask just when is an accident an accident?

And how does one introduce the element of surprise?

Jazz, and by that I mean improvised music, has always been an essential part of my life and is reflected in my thoughts towards painting. The critic Whitney Balliet defined jazz as “the sound of surprise”. Contemporary European improvising musicians have long since used the definition “instant composition” – i.e. a work is composed as it is performed. One or more performers play together without any preconceived idea or musical notation. A successful composition comes about as a result of drawing upon experience and with an openness to a given situation.

Could this approach be applied to the making of a painting? – with a bit of luck.”                                                                                          

Terry Nilssen-Love

 Photo: Courtesy of Emile Ashley